During the pandemic lockdown, when doors were shuttered and people were cut off from one another, Rowan Flack was dreaming about wide open spaces. And writing about them in her new single, “The Calling.”
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Meet Joe Alterman, the boy who wanted to play Bluegrass guitar and instead became a jazz pianist. And one hell of a jazz pianist at that.
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About Richard Shelton As the “world’s leading dramatic interpreter of Frank Sinatra,” Richard Shelton certainly holds a unique relationship to the legend. He’s portrayed Sinatra…
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Roxy Coss is a saxophonist, Composer, Bandleader, Recording Artist, Educator, and Activist (Founder and President of WIJO). Sounds busy, huh? We didn’t even mention that she recently became a new mother! Anyone with even half as busy a life could testify that it’s easy to get caught up in so many different roles. Without hardly noticing, you start to compartmentalize.
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About Liam Forde Meet Liam Forde: a connoisseur of all things music, elegance, and food. He’s a hopeless romantic with one foot in 2022 and…
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About Natalie Cressman & Ian Faquini If you love Brazilian music, you’ll love Natalie Cressman and Ian Faquini’s most recent album, Auburn Whisper. Auburn Whisper…
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About Grace Fox At 19 years old, Grace Fox is already a force to be reckoned with. She’s already formed her own big band, recorded…
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About Melissa Errico Loneliness. Heartache. Emptiness. Isolation. Everything that describes film noir also describes the pandemic. When Melissa Errico first fell down the YouTube rabbit…
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If you’re looking for a fresh take on a familiar tune, Anna Laura Quinn has the song for you. Each recording on her debut album Open the Door is a delightful surprise. “Wouldn’t It Be Loverly” is reinvented as a bluesy, groove track. “Open the Door,” is cloaked in beautiful, ethereal sound. And “Love for Sale” gets the dark, mysterious makeover its lyrics have been waiting for. Anna Laura is a stunning vocalist, but she’s also a genius arranger.
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Leonor Falcón is no stranger to the violin or viola — she’s been studying it since her childhood placement in a Venezuelan music charter school. Every morning, she attended traditional academic classes, while her afternoons were filled with orchestra and small ensemble rehearsals. The central focus was mastering the instrument to reach the top level of orchestra. And though her school days were filled with classical music — her home was filled with the sounds of rock, jazz, and pop. Eventually, these genres called her to New York to study jazz and improvisation.
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